THIS IS MY CV

I've added this guy to make it less boring.

I've added this guy to make it less boring.

AWARDS

  • Women in Music Australia Soho House Fellowship - (2023)

  • GREEN ROOM AWARD for New Australian Writing in Musical Theatre - ‘FANGIRLS’ (2022)

  • Nominee - ARIA AWARD for Best Original Soundtrack or Musical Theatre Cast Album - ‘FANGIRLS’ (2021)

  • AWGIE AWARD for Music Theatre - ‘FANGIRLS’ (2020)

  • MATILDA AWARD for Best Musical or Cabaret, for ‘FANGIRLS’

  • SYDNEY THEATRE AWARD for Best Mainstage Musical - ‘FANGIRLS’

  • Inaugural Rebel Wilson Theatre Maker Scholarship - Australian Theatre for Young People

  • Finalist - Les Enfant Terribles Award (2013)

  • Winner - The Roundhouse Visualised Audio Fund (2013)

  • Winner - Playwrighting Australia’s Kicking Down the Door Competition (2010)

ARTISTIC RESIDENCIES

  • Jacky Winter Places Artist Residency - (2023)

  • APRA AMCOS Musical Theatre SongHubs (Co-Curator with Eddie Perfect and Sonya Suares) - (2022)

  • Visiting artist at Princeton University - (2018)

  • Griffin Theatre Company Scratch Residency - (2018)

  • Barbican Pit Lab Return Residency - (2017)

  • Belvoir Artists’ Workshop - (2017)

  • Barbican Pit Lab - (2015)

  • Old Vic New Voices - (2014)

  • National Theatre Studio - (2014)

  • The Basement (Brighton) Resident Supported Artist - (2013)

  • ATYP Fresh Ink / Bundanon Trust - Young Playwrights Residency - (2011)

  • Sydney Theatre Company - Young Playwrights Residency - (2010)

PLAYWRIGHTY STUFF

I wrote the book, Music and Lyrics for FANGIRLS, which premiered at Queensland Theatre and Belvoir in 2019, before touring in 2021 and playing the Sydney Opera House in 2022. 'Sugar Sugar' a play I developed through the Royal Court Young Writers' Programme premiered at MKA Theatre of New writing in Melbourne in 2014. My Monologue 'Prince Willy' Developed through the Fresh Ink National Studio has been published by Currency Press.

YOUTH PANELS

I'm obsessed with making teenagers feel at home in arts venues. In Sydney have held positions on youth advisory committees at Sydney Theatre Company, and Griffin Theatre Company and co-founded Youth Panels at the Australian Theatre for Young People and The Sydney Opera House.

I’ve also held positions on panels at The Victoria and Albert Museum and Richmix In London and have visited education departments in the USA at Steppenwolf Theatre Company Chicago, Berkeley Repertory Theatre, Goodman Theatre Chicago, and in the UK at the Almeida Theatre & Battersea Arts Centre to observe & discuss their own Youth Advisory Programs.